Kothamangelam Subbu, the number two in Gemini studio, is a story in himself. He is very talented, a poet, novelist, actor and filmmaker. He is an all-rounder and very loyal to his boss.
Another character that comes into focus at Gemini Studios is the legal advisor, who wears Western clothes among the rest of the Khadi-clad gentry.
Asokamitran also tells about the manner in which the legal advisor ruins the career of a talented actress unwittingly.
Communism also finds a place in the musings of Asokamitran. At that time of India, the educated folk took pride in showing their support for Communism, and Gemini Studios was no exception. In the same stride, he also mentions the anti-communism movement run by the West. In this context, he mentions the play troupe of the poet/editor who visited the studio. Later on, he discovers that the poet was, in fact, the editor of the then-famous magazine 'The Encounter.'
Pancake
· Pancake was the brand name of a make-up material. The Gemini Studios bought a lot of it.
· Make-up men used it to turn decent-looking players into hideous-looking monsters.
· In fact, it was because most of the shooting of a film was done on the sets.
· The set and studio lights required that every pore of the players’ faces was closed.
· A strict hierarchy was maintained in the make-up department to make the players look ugly.
Ø The chief make-up man made the hero and heroine ugly
Ø His senior assistant made the ‘second’ hero and heroine ugly
Ø It went on in like manner
Ø It was the office boy’s job to make the crowd players ugly.
The Office Boy
· The make-up department had an office boy. He was not a boy but a 40-year-old man
· He had joined the studios years ago
· He believed he had great talent and hoped to become a star actor, director, screenwriter or lyric writer.
· But he was frustrated à He blamed his disgrace on Kothaman.
· Galam Subbu à who was considered No. 2 at the Gemini Studios.
The Make-up room
· The make-up department was upstairs of a building that was said to have been Robert Clive’s stables.
· The make-up room looked like a hair-cutting salon because it had large mirrors and lights.
· The lights gave out intense heat à The person who underwent make-up had a miserable experience of being scorched as if in hell.
Author appears to be idle:
· The nature of the author’s job appeared to be insignificant.
· He was usually seen tearing newspapers
· Everybody would walk into his cubicle and want to give him some work to do.
· The office boy would come in to recite his poems. He wished to impress the author by his talent and how it was going to waste on account of Subbu.
Kothamangalam Subbu”
· The office boy was frustrated. Probably, he was jealous of Subbu’s nature.
· Subbu was very close to the boss. He had no better qualification than the boy.
· But he had worked hard to reach this position.
· Subbu had a more affluent exposure because he was a Brahmin. He would remain cheerful in spite of failures.
· He had talents which he used to the advantage of his Boss.
· Whenever the Boss had any difficulty in presenting a scene in a film, Subbu would suggest a number of practical ideas.
· Subbu was a good poet, too. He could write poems of a high order.
· But he deliberately suppressed his talent to write for the masses.
· He was a novelist, too. He had written a novel in which he recreated the moods and manner of the Devadas of the early 20th century.
· He had created life-like characters too.
· Subbu was an excellent actor. But he never aspired for lead roles.
· But whatever minor roles he played, he acted better than the leading players.
· Subbu loved all. Several friends and relatives stayed with him for long periods.
Ø He never gave a thought to the money he spent to support
· The office boy hated him à Perhaps Subbu appeared to him a sycophant.
Story Department:
· Though Subbu was always seen with the Boss, he was a member of the story department.
· Besides writers and poets in the story department, there was a lawyer too.
Ø Officially, he was known as a legal advisor, but people called him by an opposite name.
· Once, the legal advisor unwittingly ruined the career of a talented actress.
Incident relating to an actress:
· An actress who was not seasoned in worldly wisdom lost her temper on the sets. She spoke angrily against the producer.
· The legal advisor switched on the recording equipment when she paused; he played back the record.
· The actress was dumbfounded to hear her own voice. Though she had not said anything offensive, she never appeared on the stage again.
Anti-communism perception:
· The legal advisor wore trousers, a shirt and a tie. Sometimes, he wore a coat, too.
· He appeared odd among the khadi-clad poets and writers.
· The poets worshipped Gandhiji, though they had no affiliation to his ideas.
· But they were averse to communism.
· They had a notion that communists loved nobody. He was an anarchic.
Arrival of MRA
· The feelings against communism were widespread in South India
· The Moral Re-Armament Army was a sort of anti-communism movement. It visited Gemini Studios in 1952.
· They were about 200 people belonging to at least 20 nationalities.
· They presented two plays, ‘Jotham Valley’ and the ‘Forgotten Factor’, in a most professional manner.
· The Gemini family of six hundred and the citizens of Madras were greatly impressed by their plays.
· Their message was simple but the sets and costumes were excellent.
· For many years, the Tamil drama imitated à The sunrise and sunset scenes presented by the MRA.
· The scenes were presented on a base stage with a white background and a tune played on the flute.
· But the MRA did not influence the outlook of the Gemini Bosses.
· The staff had enjoyed hosting the MRA
Visit to an Englishman:
· A few months later, Gemini Studios received another guest.
· It was an Englishman. Nobody knew who he was.
· Some said he was a poet. Some believed he was an editor because the topmen of The Hindi were taking the initiative.
· But he was not the editor of any of the newspapers the staff of Gemini Studios had heard of.
· The Englishman was welcomed by the Boss, Mr Vason.
· He read out a long speech talking about freedom and democracy.
· Then the Englishman spoke à who could not be expected to have any interest in English poetry.
· The visit of the Englishman remained a mystery.
Mystery solved
· The author saw a notice in the Hindu.
· The Encounter, a British periodical, was organising a short story contest. The author had never heard the name of the periodical.
· He wanted to send on entry à but wanted to have information before.
· He visited the British Council library. These he found copies of the Encounter.
· He learned that its editor was Stephen Spender, Ã who visited the Gemini Studios.
· After a few years – The author retired
· One day, he saw a pile of low-priced paperback editions of ‘The God that Failed.’ He bought a copy.
· It contained six different essays by six different writers.
· They described the writers ‘Journeys into communism and the disillusioned return.
· One of the writers was Stephen Spender
· The whole mystery of Spender’s visit was cleared.
· Mr. Vason was not interested in his poetry but in his views on Communism.
The incandescent bulbs used in the make-up room produced a lot of heat and caused a lot of discomfort to the artists while in the make-up room. Every actor had to undergo some sort of make-up before shooting and suffered the heat of the bulbs in the room. This misery has been referred to as fiery in the lesson.
The make-up division of the Gemini Studios was an example of national integration. According to the author, this is because people from different regions and religious groups worked together in the same department. The department was headed by a Bengali who was succeeded by a Maharashtrian. The other helpers included a Dharwar Kannadiga, an Andhra, a Madras Indian Christian, an Anglo-Burmese and the local Tamils.
The office boy applies makeup on the lesser-known actors who usually play the role crowd. He would mix various potions and apply them to the group playing actors in the most unprofessional way. He had joined the studios hoping that he would become a star actor someday or hold a prominent position in the film industry. But he failed and remained a mere 'office boy' and this left him perpetually disappointed.
The office boy was frustrated because despite getting a good opening, he remained only an office boy. He had had a good formal education and would write poetry also. But his great literary talent was being allowed to go to waste. He showed his anger at Kothamangalam Subbu, the No. 2 at Gemini Studios.