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Friday, December 16, 2016
The Wild Swans at Coole - Poem by William Butler Yeats
CHANDALIKA - RABINDRANATH TAGORE
NOTES ON 'CHANDALIKA' - RABINDRANATH TAGORE
SUMMARY
BROKEN IMAGES - GIRISH KARNAD
NOTES ON 'BROKEN IMAGES' - GIRISH KARNAD
EXPLANATIONBROKEN IMAGES has one set – a TV studio – but a multi-layered theme. It weaves in issues as far apart as the hegemony of English over Indian languages and the hollowness of a media which bestows greatness on a work that lay unnoticed in its original language but when translated into English becomes the toast of the global literary world. It also deals with psychological repression of an inverted kind. The central character Manjula, the now successful, Kannada-turned-English writer has a handicapped, wheelchair bound sister, Malini. But it is the disabled Malini who turns out to be the really healthy and whole person. It is Malini who not only wins the love of Manjula’s husband, Pramod, but is far more centered and happy than her caretaker sister, Manjula.Not just that. After her death, it is Manjula whose loveless married life ends by Pramod walking out and moving to Los Angeles and the phenomenal success that she has wrested from Malini by stealing Malini’s unpublished MSS tasting like poison.
The metaphor of Manjula aka Shabana talking about her heroic exploits with the book on a live television show ends with her finding that her image just does not leave the monitor. It is not her, of course. It looks like her but it is Malini and the conflict between the self and the image, between delusion and reality, between the outer mask and the inner truth that emerges in the tussle between the sisters and is the very stuff of the drama.
Thursday, December 15, 2016
The Argumentative Indian - Amartya Sen
Notes on 'The Argumentative Indian' - Amartya Sen
EXPLANATION
WHY THE NOVEL MATTERS – D.H. LAWRENCE
NOTES ON 'WHY THE NOVEL MATTERS' – D.H. LAWRENCE
D. H. Lawrence, 1929 |
D.H. Lawrence introduces his views of the novel to the readers by referring to the common thinking among people that they are a body with a spirit or a soul or a mind in it. A proverb to this effect, namely, “A sound body in a sound mind” has been framed. According to D.H. Lawrence, this idea of ourselves as a body with a spirit or a soul or a mind in it is a funny superstition.
D.H. Lawrence asks why we should make a difference between the hand that writes and the mind that directs the hand to write. He feels that the hand is as full of life, and that it learns and knows as many things as the mind is and does. Our hand is alive upto the finger tips but the pen with which we write is not alive.
A person speaks about souls in heaven. But a novelist talks about paradise in the palm of our hand, or at the end of our nose because he feels the existence of life during his life time undisturbed by what happens to him after life.
According to Lawrence, life is the most important aspect of life. Anything that is living is certainly more amazing than a dead thing. A living dog is better than a dead lion though a living lion is better than a living dog.
D.H. Lawrence desires to stimulate people in all possible directions. All things change but even change is not absolute the whole or complete nature is a ‘strong assembly of apparently incongruous parts, slipping part one another.
The exact meaning of living is like the meaning of being. People go into the desert to seek God, or money, or wine, or woman, or song, or water or political reform or votes. One can never predict one’s choices in life. It is as sudden as rain in summer and none can say when it will come. In this great confusion, disorder and unpredictability we need a guide.
SUMMARY
Then he goes on saying that like "a bottle or a jug, or a tin can, or a vessel of clay our body bleeds when it is cut. But the difference that sets it apart is the life in the skin, vein, bone or blood this is inside. But in case of other inanimate objects the entities inside are as dead as the outer. "And that's what you learn, when you're a novelist quips Lawrence to define the people in this field. So the superficial "logic" of this passage is conspicuously off: to refute the notion that the body is merely a vessel for the soul, he "proves" that skin and bone are as important as anything else.
Monday, December 5, 2016
POEM - HAWK ROOSTING BY Ted Hughes - XI - ELECTIVE ENGLISH
The hawk serves as the speaker of this poem; his tone is confident and almost haughty at times, although his belief in his superiority appears to be more steeped in honesty than it does in false bravado. The hawk continuously uses the pronoun “I” throughout the course of the work. Another interesting fact to note about the poem is that Hughes has written it entirely in the present tense, which adds to the sense that the hawk has always been, and will always be, at the top of the food chain.
I sit in the top of the wood, my eyes closed,
Inaction, no falsifying dream
Between my hooked head and hooked feet:
Or in sleep rehearse perfect kills and eat.
Here, the hawk seems to be deep in meditation. He does not feel threatened by anything in the wild, and therefore, he can easily close his eyes and not worry about his surroundings. He is perched in a tree where he can easily look down on the forest he inhabits. Hughes uses interesting diction in this stanza in order to create imagery. He writes, “Between my hooked head and hooked feet…” which emphasizes the dangerous and sharp beak and claws of the bird. In line four, the hawk tells the reader that he is able to perform the perfect kill even in his sleep.
The convenience of the high trees!
The air’s buoyancy and the sun’s ray
Are of advantage to me;
And the earth’s face upward for my inspection.
In the third stanza, Hughes writes,
My feet are locked upon the rough bark.
It took the whole of Creation
To produce my foot, my each feather:
Now I hold Creation in my foot
In this stanza, the hawk is announcing his perfection to his reader. Again, he draws attention to his sharp claws, stabbing into the tree limb as he perches. He explains that it took Creation—probably capitalized here in order to represent God—everything He possessed in order to produce just one of the hawk’s feet, and each and every feather on his body. This stanza gives an image of a higher power hard at work, slaving over how to create such a great and powerful being. Now, the hawk proclaims, he, himself, is God, more powerful than any being on both Earth and in Heaven.
I kill where I please because it is all mine.
There is no sophistry in my body:
My manners are tearing off heads –
The hawk is essentially saying that he can do whatever he pleases. He can fly slowly through the air, taking in all of the sights beneath him. He can kill wherever he pleases because all of the world belongs to him. There is no need to lie or pretend otherwise because the hawk can prove his power by tearing off the heads of his victims.
The allotment of death.
For the one path of my flight is direct
Through the bones of the living.
No arguments assert my right:
The hawk is so god-like in this stanza that he says he chooses who lives and dies. The one flight he makes is the one he takes to kill his prey. There are no arguments necessary because he is all-powerful.
The sun is behind me.
Nothing has changed since I began.
My eye has permitted no change.
I am going to keep things like this.
POEM - THE WORLD IS TOO MUCH WITH US - WOVEN WORDS - CLASS XI - ELECTIVE ENGLISH
Friday, August 5, 2016
Short Story - I Sell My Dreams - Gabriel Garcia Marquez
The giant wave of destruction
A dead woman with a serpent ring
Her dreams make her rich
Frau Frieda comes to Spain
Pablo Neruda has a dream
Some dreams slip in
Q1. Did the author believe in the prophetic ability of Frau Frieda?
Q2. Why did he think that Frau Frieda’s dreams were a stratagem for surviving?
TALKING ABOUT THE TEXT
APPRECIATION
STOP AND THINK QUESTIONS
Friday, March 18, 2016
XI English Core Novel - Up From Slavery
Saturday, March 12, 2016
The Portait of a Lady by Khushwant Singh - Hornbill - Prose - Class XI- English Core Summary and Answers
Class XI- English Core
Chapter 1 - The Portrait of a Lady
by Khushwant Singh
Hornbill - Prose - Summary and Answers
Summary of 'The Portrait of a Lady'
The story "The Portrait of a Lady" by Khushwant Singh is a nostalgic reflection on the author's relationship with his grandmother. The narrator describes his grandmother as a deeply religious, old woman who was always busy with her rosary beads and prayer books. The story is divided into three phases, depicting the changing relationship between the grandmother and the narrator as he grows up.
In the first phase, the grandmother and the narrator share a close bond. They live together in a village where the grandmother takes care of the narrator's daily needs and accompanies him to school. The second phase begins when they move to the city. Here, the narrator attends an English school, and their relationship starts to change as they spend less time together. The grandmother is upset because the subjects taught at school, like English and science, do not include religion, which was a vital part of her life.
The third phase occurs when the narrator goes to university and moves into a separate room. The distance between them grows even more, and the grandmother's loneliness increases. Despite these changes, the grandmother remains deeply religious and continues to live a life of routine and devotion.
Towards the end of the story, the grandmother's health deteriorates, and she passes away peacefully, surrounded by the family. The story concludes with the narrator and his family mourning her death, reflecting on her life and the simplicity and spirituality that characterized her existence.
The story is a beautiful depiction of the bond between the narrator and his grandmother, highlighting the themes of love, loss, and the passage of time.
Understanding the text(Q&A) of 'Portrait of a Lady'
Talking About the Text(Q&A) of 'Portrait of a Lady'
- The author’s grandmother was a religious person. What are the different ways in which we come to know this?
ANSWER: The author’s grandmother was clearly a deeply religious person, and this is shown in several ways throughout the story. She spent most of her time praying and telling the beads of her rosary. Every morning, she would softly sing her prayers while helping the author get ready for school. When they moved to the city, she was upset because the author’s new school did not teach about God or religion, which were very important to her. Even as she grew old and became bedridden, she continued to pray, showing that her faith and devotion were constants in her life.
- Describe the changing relationship between the author and his grandmother. Did their feelings for each other change?
ANSWER: The relationship between the author and his grandmother changed as they both grew older and their circumstances changed. When they lived in the village, they were very close, and she took care of him daily, even walking him to school. However, when they moved to the city, their relationship became more distant. The author went to an English school, which taught subjects that were unfamiliar to his grandmother, creating a sense of separation between them. Finally, when the author went to university and moved into his own room, the physical distance between them increased, but their emotional bond remained strong. Despite spending less time together, their love and respect for each other did not change.
- Would you agree that the author’s grandmother was a person strong in character? If yes, give instances that show this.
ANSWER: Yes, the author’s grandmother was definitely a person strong in character. She demonstrated her strength in several ways throughout the story. She handled the various changes in her life with quiet dignity, whether it was moving to the city or dealing with the loneliness that came as the author grew up. She was resilient and independent, sticking to her daily routines and maintaining her religious practices even when she became weak and bedridden. Additionally, when the author left for university, she did not openly show her sorrow. Instead, she focused on her spinning wheel and prayers, showing her inner strength and self-control.
- Have you known someone like the author’s grandmother? Do you feel the same sense of loss with regard to someone whom you have loved and lost?
ANSWER: This question invites a personal reflection. If you have known someone like the author’s grandmother, you might think about how they influenced your life, their strong character, and how you felt when they were no longer with you. You may have experienced a similar sense of loss, cherishing memories of the love and support they provided, much like the author did with his grandmother. This reflection can be an opportunity to remember and honor those who have had a significant impact on your life.The author’s grandmother was clearly a deeply religious person, and this is shown in several ways throughout the story. She spent most of her time praying and telling the beads of her rosary. Every morning, she would softly sing her prayers while helping the author get ready for school. When they moved to the city, she was upset because the author’s new school did not teach about God or religion, which were very important to her. Even as she grew old and became bedridden, she continued to pray, showing that her faith and devotion were constants in her life.
- Describe the changing relationship between the author and his grandmother. Did their feelings for each other change?
ANSWER: The relationship between the author and his grandmother changed as they both grew older and their circumstances changed. When they lived in the village, they were very close, and she took care of him daily, even walking him to school. However, when they moved to the city, their relationship became more distant. The author went to an English school, which taught subjects that were unfamiliar to his grandmother, creating a sense of separation between them. Finally, when the author went to university and moved into his own room, the physical distance between them increased, but their emotional bond remained strong. Despite spending less time together, their love and respect for each other did not change.
- Would you agree that the author’s grandmother was a person strong in character? If yes, give instances that show this.
ANSWER: Yes, the author’s grandmother was definitely a person strong in character. She demonstrated her strength in several ways throughout the story. She handled the various changes in her life with quiet dignity, whether it was moving to the city or dealing with the loneliness that came as the author grew up. She was resilient and independent, sticking to her daily routines and maintaining her religious practices even when she became weak and bedridden. Additionally, when the author left for university, she did not openly show her sorrow. Instead, she focused on her spinning wheel and prayers, showing her inner strength and self-control.
- Have you known someone like the author’s grandmother? Do you feel the same sense of loss with regard to someone whom you have loved and lost?
ANSWER: This question invites a personal reflection. If you have known someone like the author’s grandmother, you might think about how they influenced your life, their strong character, and how you felt when they were no longer with you. You may have experienced a similar sense of loss, cherishing memories of the love and support they provided, much like the author did with his grandmother. This reflection can be an opportunity to remember and honour those who have had a significant impact on your life.
Thinking About the Language of 'Portrait of a Lady'
1. Which language do you think the author and his grandmother used while talking to each other?
The author and his grandmother most likely communicated in Punjabi or Hindi, as the story is set in a Punjabi family in India. These languages were commonly spoken in the region where they lived, and it’s likely that they used their native language for everyday conversations, especially given the grandmother's traditional and religious nature.
2. Which language do you use to talk to elderly relatives in your family?
The language you use to talk to elderly relatives in your family may depend on your cultural background and family traditions. Many people communicate with their grandparents or older family members in their native or regional language, which could be anything from Hindi, Tamil, Bengali, or Marathi to languages like Urdu, Malayalam, or Gujarati. This is because elderly relatives often feel more comfortable and connected when speaking in their mother tongue.
3. How would you say ‘a dilapidated drum’ in your language?
To translate "a dilapidated drum" into your language, you would use the words that describe something old and broken down. For example, in Hindi, you might say "टूटा-फूटा ढोल" (Toota-Foota Dhol). The exact translation would depend on your native language and the specific words used for "dilapidated" and "drum."
4. Can you think of a song or a poem in your language that talks of homecoming?
Many cultures have songs or poems that speak of homecoming, reflecting the emotions of returning home after a long time. In Hindi, for instance, there is a famous song, "घर आया मेरा परदेसी" (Ghar Aaya Mera Pardesi), which expresses the joy of a loved one returning home. Similarly, in other languages, you may have songs or poems that resonate with the theme of homecoming, evoking feelings of nostalgia, warmth, and belonging.
Working with Words
The word "tell" is used in different ways in these sentences.
1. "Her fingers were busy telling the beads of her rosary."
In this sentence, "telling" refers to the act of counting or moving the beads of a rosary one by one as part of a prayer ritual. It shows a physical action linked with a religious practice.
2. "I would tell her English words and little things of Western science and learning."
Here, "tell" means to inform or share information with someone. The author is explaining that he used to teach his grandmother some English words and facts about Western science and education.
3. "At her age one could never tell."
In this sentence, "tell" means to be able to know or predict something. It implies uncertainty, suggesting that at her age, it was difficult to predict what might happen next.
4. "She told us that her end was near."
Here, "told" is used in the sense of communicating or conveying a message. The grandmother is informing the family that she believes her death is approaching.
In each of these examples, "tell" is used in a different context, demonstrating the versatility of the word in English.